Thus, as in her other films, Breillat explores with great lucidity the traps for women of conventional heterosexuality. The enthusiasm with which Breillat is championed by the French male critical establishment not noted for its feminist awareness would suggest that, like surrealism, hers is an art aimed at shocking rather than challenging. Her obsessive focus on sexuality, notwithstanding its intellectualization, means her women are purely carnal rather than social beings. Beyond cinephilia, the use of the device here is fully justified, shocking in its triumph, devastating in its implications. Like Lili in 36 fillette but not the bored and depressed adult heroines of Perfect Love! Her gaze makes us uneasy for two reasons.
Gemma. Age: 29.
The slow pace of the scenes, their dispassionate style and brutal precision, disengages us, denying eroticism.
Zion. Age: 30.
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In 36 fillette, a fourteen-year-old girl is shown flirting heavily with a forty-year-old man. F rench auteur cinema has increasingly been exploring themes of sex through scenarios whose explicitness verges on the pornographic. The slow pace of the scenes, their dispassionate style and brutal precision, disengages us, denying eroticism.