The nude figure is a tradition in Western artand has been used to express ideals of male and female beauty and other human qualities. It was a central preoccupation of Ancient Greek artand after a semi-dormant period in the Middle Ages returned to a central position in Western art with the Renaissance. Athletes, dancers, and warriors are depicted to express human energy and life, and nudes in various poses may express basic or complex emotions such as pathos.
From Wikimedia Commons, the free media repository. English: This category contains depictions of the female nude in paintings. This is a main category requiring frequent diffusion and maybe maintenance.
Goya's Nude Maja, confident in her nakedness as she unashamedly gazes out at the viewer, is infamous for her direct confrontation. Rumored to be a portrait of Goya's own mistress, this painting was commissioned for the private boudoir of a wealthy patron, hidden from the public eye. But when discovered, this erotically-charged masterpiece shocked audiences at the time and paved the way for the transgressive, boundary-pushing ethos of Modern Art.
Nude art has been represented in paintings and statues since prehistory. From a liberal view in the Classical period to a conservative outlook in the Middle Ages, as well as more ups and downs in the Renaissance and Victorian eras. We now exist in an age in which body related tabus seem to be less of an issue to a Western audience, as the media is saturated with sexual and beautified imagery. Saville is a modern British painter, known for her large-scale nude works which are merciless in their brutal depictions of the human form.
Today we take a quick look at ten contemporary urban artists painting womenthe everlasting subject that has intrigued artists since the time they lived in caves. Some of them explore this subject exclusively, while others only visit it occasionally. When we look at their work, it is clear that the common subject is the only thing they share.
Depictions of nudity include visual representations of nudity through the history, in all the disciplines, including the arts and sciences. Nudity is restricted in most societies, but some depiction of nudity may serve a recognized social function. Clothing also serves as a significant part of interpersonal communication, and the lack of clothing needs to have a social context.
Western art has always been inherently and inevitably phallocentric, as inscribed within a social, political and linguistic structure that favours the male as subject, and relegates the female to object. Until the 19th century, men —in various forms of art, but especially in painting— depicted women in idealised forms, rendering their beauty as an object of the excited male gaze. Within this context, paintings of naked women were accepted as far as the female subjects on the canvas were either represented with a godlike appearance or located within a mythological framework, since explicit eroticism was culturally censored.
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No one has ever painted naked women as gorgeously as Titian did. His ravishing Venus is a lover laying her beauty bare, and the recipient of her optical largesse is anyone who happens to stand in front of this painting in the Uffizi gallery in Florence, Italy. Titian creates with mind-boggling skill the lavish presence of this nude: the rapture of her carnal glory.